New Sanlitun - right of Yashow; Beijing, China Beijing is more active at night - that's when all the trucks and workers can build without pedestrian, biking or automotive interference. All your village workers (waidiren, nong ming) emerge and blend their dusty skin into the night. If there're not adding more floors to a new building, they are transporting dirt away to build the foundation of a new building. This site is where the New Fashion Quadralateral of Sanlitun will be located -it will be a taste of LA's Santa Monica, NYC's 5th Ave, Milan and Paris. I snuck in here in between trucks unloading dirt - the video is short because the next truck was coming in to take dirt away so I had to stop. But this gives you an idea of the rapidness of Beijing's growth. I would not be surprised at all if I were to walk down this street tomorrow morning to see that the entire foundation of this building has been built. Non of the workers are from Beijing. there are from villages and other provinces. The situation parallels California's hypocritical relationship with Mexico. Just like California, Beijing welcomes the villagers/farmers as construction workers, but they have no other priveledges and they are expected to go back to their province when the work is finished. they are not given a Beijing residency card - without this card - they do not have access to the social services that Beijingner's have access to - like schools, health care and etc. The workers here are recruited from their home province to Beijing by these large construction corporations - as these companies know that they don't have to pay them as much as Beijing citizens. The workers live in squalid buildings and they definitely do not shower everyday. It's 16 hr workdays 7 days a week. There are a lot more workers during the winter because they do not have farming work back in their province/village - so they come here to Beijing for construction work and send their earnings back home. But there has been so much corruption lately as bosses have not paid the workers when the work is done - the boss or entire company will vanish. A lot of these workers are illiterate - so they sign contracts without truly understanding the stipulations. Hey starting to sound more and more like how USA treats their "alien" un-documented workers right? You can tell who a villager/non-beijingner is right away - they have dust,dirt, grit in every crevice of their body. Their skin tone is darker and more wrinkled - their Mandarin is noticably not on tone. I like riding the public buses b.c it's the only time I can listen to them talk, and be in the same space with them as equal riders. You won't find them really on the trains.

Author: triciawang
Keywords: beijing china villagers workers construction
Added: January 9, 2006

Commercial for Wow Diner in Milan, New Mexico

Author: dbocaz
Keywords: Grants New Mexico americantowns commercial
Added: December 27, 2006

Commercial for Milan, New Mexico restaurant

Author: dbocaz
Keywords: commercial new mexico tourism Grants americantowns
Added: January 15, 2007

Italian Pianist Antonio di Cristofano plays Schumann in Montreal, Quebec Antonio Di Cristofano completed his piano studies in 1986 at the Conservatory "L.Cherubini" in Florence, under the supervision of Maestro Bacchelli. He has perfected with Maestro Damerini. He performs either as a piano soloist or in different musical ensembles; he played as a soloist with the Orchestra of the University of Milan, the Strings Orchestra "Cantelli" of Milan, the Chamber Orchestra of Florence, the Symphony Orchestra of Lecce, the Magna Grecia Orchestra, the Sicily Symphony Orchestra, the Orchestra "Ciaikovsky" (Russia), the Philarmonic Orchestra of Bucarest (Romania), the Orquesta Sinfonica del Estado de Mexico (Mexico), the University Orchestra of Houston (USA), the Radiotelevision Albania Orchestra (Albania), the Istanbul Chamber Orchestra (Turkey), the Praga Chamber Orchestra (Czech Republic), the North Czech Philarmonic, the Lamont Symphony Orchestra Denver (USA), the Czech Philarmonic Orchestra, the Wiener Mozart Orchestra, with directors including G. Taverna, F. A. Krager, R. Postavaru, O. Balan, E. Batiz, G. Lanzetta, E. Krantja, M. Bosch, M. Ancillotti, and many others. He has played for some of the most important festivals in Italy, including: the "Verdi Theatre" in Florence, the "Festival dei Due Mondi" in Spoleto, "Asolo Musica", the Theatre of Alessandria, the "Bibbiena Theatre" in Mantova, the "Puccini Hall" at the Conservatory "G.Verdi" in Milan, "Politeama Theatre" in Palermo, in Romania (Aeteneum and Radio Bucarest, ecc.), Espana (Festival de Vigo, Madrid, Jeunesses Musicales de Sevilla), Mexico (Sala Villanueva), England (25th East Anglian Summer Music Festival), USA (Moores Opera House of Houston, Newman Center in Denver), Albania (Tirana -- Accademy of Arts), Turkey (Istanbul), Bulgary (Vidin), Croatia (Dubrovnik -- Rector Palace), Czech Republic (Praga -- Smetana Hall and Dvorak Hall), Russia (Ciaikovsky Conservatoire), South Korea (Seoul -- Clavier Hall), Austria, Swiss. He has recently recorded a CD of Schubert's music. Recently he made his debut at Carnegie Hall in New! York an d the Konzerthaus in Vienna. He is often invited as a judge in international piano competition.

Author: francotenelli
Keywords: Schumann piano concerto op 54 Antonio di Cristofano Montreal Italy Canada Florence pianist Fiorenza
Added: April 19, 2007

La Bohème: Testa adorata by Ruggero Leoncavallo Performer: Daniele Barioni (Tenor) Conductor: Mario Rossi Orchestra/Ensemble: Italian Radio Symphony Orchestra Turin Period: Romantic Written: 1897; Italy Recording:6/16/1969 Musetta! O gioia della mia dimora! È dunque ver che lungi ora sei tu? È dunque ver che t'ho scacciata or ora, e che sul cor non ti terrò mai più? Testa adorata, più non tornerai lieta sul mio guanciale a riposar! Bianche manine ch'io sul cor scaldai, più il labbro mio non vi potrà baciar! Gaie canzoni die giorni d'amore la vostra eco lontana già fuggì. La stanza è muta e il vedovo mio cor piange nel tedio quei perduti dì! Quei perduti dì! Daniele Barioni was born in Copparo (Ferrara, Italy) on 6 September 1930. At the beginning he studied in the baritone key, but soon his true tenor voice was discovered. He made his debut in 1949 at the Circolo Italia, in Milan, in a concert with the Chilean soprano Claudia Parada. His operatic debut was in 1954 as Turiddu in "Cavalleria Rusticana" at the Teatro Nuovo, in Milan. During his first year of career he also sang in "Tosca" and "Madama Butterfly", In 1955 he sang in Egypt and South Africa, and on 20 February 1956 he made his debut at the Metropolitan Opera House in New York, in "Tosca" with Delia Rigal and George London. Next season he added "Boheme", "Madama Butterfly" and "Traviata", and in the season 1958/9 "Cavalleria Rusticana" with such a success that it was taken in a tour for different cities in U.S.A. and Canada. He sang at the MET for seven years , a total of 54 performances. His last role there was in the 1962/3 season, the Italian Tenor in "Der Rosenkavalier". Though for many years his career was mostly developed in the United States, he sang in Italy in different cities and theaters, and also in Brazil, Mexico , Argentina, Canada, Portugal, France, Germany and Ireland. In 1958 he appeared in an Italian film, "Carosello di Canzoni". Though he was a favorite in Rome where he sang for many years at the Opera and Caracalla, he sang at the famous La Scala only in 1966, as Pinkerton and Turiddu. Though his repertory was basically that of a spinto tenor and he was always asked to repeat his justly famous roles in Tosca, Fanciulla del West or Cavalleria Rusticana, he also obtained acclaim in Nabucco, Macbeth, Fedora, Andrea Chenier, Turandot and Gioconda. And in some operas not associated with his type of voice, such as "Lucia di Lammermoor" and "Rigoletto" , or rarely performed like, "Lucrezia" by Respighi, "La Rondine" by Puccini or "La Vida Breve" by De Falla. His repertory included a total of 31 different operas. After 1962 he did not return to the MET but sang continiously in other cities in U.S.A., until 1975. From 1975 to 1980 he appeared in opera and concerts, but not with the frequence of previous years. His last appearance was in a concert with Renata Tebaldi at the Teatro Comunale, in Ferrara, in 1981, to receive the Premio Frescobaldi 1980. His only commercial recording was "La Rondine" with Anna Moffo (RCA-1966). But he cannot be judged by this performance. Far better are his live performances issued on several private labels. Some years ago in Italy were issued several LP's with mostly live material : Omaggio a Caruso Davanti a lui tremó il Metropolitan Il tenore Daniele Barioni e Napoli Mario del Monaco gave the following commentaries on Barioni : "Sei la piú bella voce di tenore dei nostri giorni". Vai sicuro, che nessuno ti puó fregare" (1959) "Per fortuna che Barioni si é defilato, altrimenti ci mandava tutti a rapanelli" There were rumors that he left the Metropolitan for imposition of Maria Callas. That is far from true. Barioni and Callas sang together only once, a single performance of "La Traviata" on 6 February 1958 with Mario Zanasi as Germont. Anyway in all the other performances that year, Callas sang with other tenors : Campora, Bergonzi, Fernandi and Tucker. Good tenors all of them, but none with the glorious tone of Barioni. Inspite of this, Barioni sang at the Met for five years more. Daniele Barioni married in 1957 the already famous pianist Vera Franceschi, born in U.S.A. in 1929 of Italian parents. She recorded the complete Chopin piano music for R.C.A. In 1958 their son Giulio Barioni was born. She died prematurely of leukemia in 1966. Her death also meant practically the end of Barioni career as a singer.

Author: GerardoRosvaenge
Keywords: Daniele Barioni tenor opera bohème leoncavallo
Added: June 15, 2007

Madame Butterfly; Puccini. Vladimir Galouzine was Born in Robtsowsk, in 1957. Galouzine studied singing at the Conservatory of Novosibirsk . That's with the Novosibirsk Opera , in 1981 , that he will make his debut by singing Musical Comedy. After eight years of hoping to sing Opera , assignments came with his debut in Iolantha , then Rinuccio (Gianni Schicchi) , Pinkerton (Madama Butterfly) and Andrei Khovansky. The following year , Valdimir moved to St Petersburg where he sang in the Chamber Opera of St Petersburg . Then, Valery Gergiev invited him to become a member of the Kirov Opera . There , he interpreted the leading tenor roles of the Russian repertoire , Grigori (Boris Godunov) , Sadko , Grichka ( Invisible City of Kitesh) , Vladimir (Igor) and Sergej (Lady Macbeth of Mtsenk) as well as those from the Italian repertoire: Radames (Aida) , Don Carlos, Cavaradossi (Tosca) and of course his great Otello.In 1993 he sang his favorite role,Hermann,in The Queen of Spades. Vladimir Galouzine made his debut at the Metropolitan Opera in the Kirov's productions of the Queen of Spades & Boris Godunov . This collaboration led him to record on the Phillips Label Sadko , Khovanschina ,The Gambler , Boris Godunov , The Maid of Pskov and The Fiery Angel. In 1994 , VLADIMIR became a member of the Metropolitan Opera Company with Sergej in Lady Macbeth of Mtsenk. Manuel Lanza was born in Santander (Spain) in 1965. He made his professional debut in 1990 at the Teatro de la Zarzuela with "La del manojo de rosas ".In 1992, he first appeared at the Rossini Opera Festival in "La scala di seta", and in 1993 he made his first appearance at the Met, in "La Bohème". Further milestones in Lanza's career were, in 1995, his performance in "Il barbiere di Siviglia", in the Vienna Staatsoper, and, in 1996, " Les troyens " at La Scala in Milan. Since his debut, Manuel Lanza has been invited to the major auditoria of Europe and America, playing the main baritone roles in a repertory of over thirty works, and under the aegis of master conductors like Colin Davis, Lorin Maazel and Richard Bonynge, among others. He is admired by both opera-lovers and critics for the warm timbre of his voice, impeccable diction, phrasing and acting. Memorable productions he performed in include " Il barbiere di Siviglia" in Vienna, Madrid, Zurich,Mexico City, Miami, Oviedo, Santander, Las Palmas and Tenerife; "Lucia di Lammermoor" in Vienna, Berlin, Madrid, Trieste and Las Palmas; "La Bohème" in New York, Vienn , Paris, Barcelona, Munich, Florence, Parma ,Bilbao, Oviedo; Manon in Milan, Madrid and Vienna; " Faust" in Milan, Bilbao, Pittsburgh ,Las Palmas and Santander; " Romeo et Juliette " in Salzburg and Washington; " I Pagliacci " in New York, Los Angeles, Washington, Vienna and Santander; Traviata " in Vienna, Munich and Pittsburgh ; "L´elisir d´amore " in Milan, Vienna, Mexico City, Chicago and Santander; "I puritani" in Vienna and Santander; "Falstaff" in Madrid, Zurich, Oviedo and Minorca; "Le nozze di Figaro" in Barcelona, Bilbao, Caracas, Oviedo and Santander; "Don Pasquale" in Madrid,Bilbao and Las Palmas; "Madama Butterfly" in Vienna and Pittsburgh; "Cosi fan tutte" in Madrid, Barcelona and Bilbao.

Author: GerardoRosvaenge
Keywords: Vladimir Galouzine tenor Manuel Lanza Baritono opera Madame Butterfly Puccini
Added: June 16, 2007